Artist, scholar and associated professor in Design and Fine Arts at the Complutense University of Madrid (UCM), Linarejos Moreno has been an invited Fulbright scholar at Rice University in Houston and a visiting professor of The School of Art in the College of Liberal Arts and Social Sciences at the University of Houston.
Her work explores subjectivity as a mode of resistance to reification, focusing on the non-productive uses of industrial spaces and scientific representation as a tool for interrogating modernity. Her research interests include the sociology of science/technology and the relationship between capital and contemporary forms of Romanticism.
Major solo institutional exhibitions include: Stop Vuelvo Pronto Stop (on view until 04/12/2020) at CentroCentro (Madrid), The Cloud Chamber (2018) at the Transart Foundation for Art and Anthropology (Houston) and the Centro de Arte de Alcobendas (Madrid), Tabularia. Laboratorios de Ciencia e Imaginación (2016) at the Royal Botanical Gardens (Madrid- PHE16), La construcción de una ruina (2016) in the Tabacalera. Promoción del Arte (Madrid- PHE16) – both of which formed part of the international photography festival PHotoEspaña, and Artifactual Realities (2016) at the Station Museum (Houston). Continue reading...
Artist, scholar and associated professor in Design and Fine Arts at the Complutense University of Madrid (UCM), Linarejos Moreno has been an invited Fulbright scholar at Rice University in Houston and a visiting professor of The School of Art in the College of Liberal Arts and Social Sciences at the University of Houston.
Her work explores subjectivity as a mode of resistance to reification, focusing on the non-productive uses of industrial spaces and scientific representation as a tool for interrogating modernity. Her research interests include the sociology of science/technology and the relationship between capital and contemporary forms of Romanticism.
Major solo institutional exhibitions include: Stop Vuelvo Pronto Stop (on view until 04/12/2020) at CentroCentro (Madrid), The Cloud Chamber (2018) at the Transart Foundation for Art and Anthropology (Houston) and the Centro de Arte de Alcobendas (Madrid), Tabularia. Laboratorios de Ciencia e Imaginación (2016) at the Royal Botanical Gardens (Madrid- PHE16), La construcción de una ruina (2016) in the Tabacalera. Promoción del Arte (Madrid- PHE16) – both of which formed part of the international photography festival PHotoEspaña, and Artifactual Realities (2016) at the Station Museum (Houston). Continue reading...
BLACK SQUARE
STALKER
It was then that Malevich’s iconic painting presented itself as a need to be represented, as a line of research to be continued. Considered in a way a point of no-return in the history of painting, it symbolized the dead end where that scientist was, condemned to assess uncertainty forever.
Then I asked several physicists to transcribe scientifically, or to ponder how to do it, Malevich’s iconic painting, which was used as an ensign at his funeral. Black Square unfolded into an infinity of possibilities of scientific representation. White could be obtained as the addition of all wavelengths at one time, or by combining complementary wavelengths…
LINAREJOS MORENO. 03-01-09