Artist, scholar and associated professor in Design and Fine Arts at the Complutense University of Madrid (UCM), Linarejos Moreno has been an invited Fulbright scholar at Rice University in Houston and a visiting professor of The School of Art in the College of Liberal Arts and Social Sciences at the University of Houston.
Her work explores subjectivity as a mode of resistance to reification, focusing on the non-productive uses of industrial spaces and scientific representation as a tool for interrogating modernity. Her research interests include the sociology of science/technology and the relationship between capital and contemporary forms of Romanticism.
Major solo institutional exhibitions include: Stop Vuelvo Pronto Stop (on view until 04/12/2020) at CentroCentro (Madrid), The Cloud Chamber (2018) at the Transart Foundation for Art and Anthropology (Houston) and the Centro de Arte de Alcobendas (Madrid), Tabularia. Laboratorios de Ciencia e Imaginación (2016) at the Royal Botanical Gardens (Madrid- PHE16), La construcción de una ruina (2016) in the Tabacalera. Promoción del Arte (Madrid- PHE16) – both of which formed part of the international photography festival PHotoEspaña, and Artifactual Realities (2016) at the Station Museum (Houston). Continue reading...
Artist, scholar and associated professor in Design and Fine Arts at the Complutense University of Madrid (UCM), Linarejos Moreno has been an invited Fulbright scholar at Rice University in Houston and a visiting professor of The School of Art in the College of Liberal Arts and Social Sciences at the University of Houston.
Her work explores subjectivity as a mode of resistance to reification, focusing on the non-productive uses of industrial spaces and scientific representation as a tool for interrogating modernity. Her research interests include the sociology of science/technology and the relationship between capital and contemporary forms of Romanticism.
Major solo institutional exhibitions include: Stop Vuelvo Pronto Stop (on view until 04/12/2020) at CentroCentro (Madrid), The Cloud Chamber (2018) at the Transart Foundation for Art and Anthropology (Houston) and the Centro de Arte de Alcobendas (Madrid), Tabularia. Laboratorios de Ciencia e Imaginación (2016) at the Royal Botanical Gardens (Madrid- PHE16), La construcción de una ruina (2016) in the Tabacalera. Promoción del Arte (Madrid- PHE16) – both of which formed part of the international photography festival PHotoEspaña, and Artifactual Realities (2016) at the Station Museum (Houston). Continue reading...
UNCERTAINTY ASSESSMENT
STALKER
With Stalker, I started a photograph series that registered the act of writing scientific developments in desolate venues. This project showed, through the act of chalking developments related to industrial productivity carried out by researchers in abandoned industrial sites, the devastating effect a world at the mercy of productivity and the agenda of macroeconomic numbers has on the landscape.
The photograph Stalker-Uncertainty Assessment records a scientist’s act of writing a mathematical development related to industrial productivity -Uncertainty Assessment- in the remains of a former mining site.
LINAREJOS MORENO