Artist, scholar and associated professor in Design and Fine Arts at the Complutense University of Madrid (UCM), Linarejos Moreno has been an invited Fulbright scholar at Rice University in Houston and a visiting professor of The School of Art in the College of Liberal Arts and Social Sciences at the University of Houston.
Her work explores subjectivity as a mode of resistance to reification, focusing on the non-productive uses of industrial spaces and scientific representation as a tool for interrogating modernity. Her research interests include the sociology of science/technology and the relationship between capital and contemporary forms of Romanticism.
Major solo institutional exhibitions include: Stop Vuelvo Pronto Stop (on view until 04/12/2020) at CentroCentro (Madrid), The Cloud Chamber (2018) at the Transart Foundation for Art and Anthropology (Houston) and the Centro de Arte de Alcobendas (Madrid), Tabularia. Laboratorios de Ciencia e Imaginación (2016) at the Royal Botanical Gardens (Madrid- PHE16), La construcción de una ruina (2016) in the Tabacalera. Promoción del Arte (Madrid- PHE16) – both of which formed part of the international photography festival PHotoEspaña, and Artifactual Realities (2016) at the Station Museum (Houston). Continue reading...
Artist, scholar and associated professor in Design and Fine Arts at the Complutense University of Madrid (UCM), Linarejos Moreno has been an invited Fulbright scholar at Rice University in Houston and a visiting professor of The School of Art in the College of Liberal Arts and Social Sciences at the University of Houston.
Her work explores subjectivity as a mode of resistance to reification, focusing on the non-productive uses of industrial spaces and scientific representation as a tool for interrogating modernity. Her research interests include the sociology of science/technology and the relationship between capital and contemporary forms of Romanticism.
Major solo institutional exhibitions include: Stop Vuelvo Pronto Stop (on view until 04/12/2020) at CentroCentro (Madrid), The Cloud Chamber (2018) at the Transart Foundation for Art and Anthropology (Houston) and the Centro de Arte de Alcobendas (Madrid), Tabularia. Laboratorios de Ciencia e Imaginación (2016) at the Royal Botanical Gardens (Madrid- PHE16), La construcción de una ruina (2016) in the Tabacalera. Promoción del Arte (Madrid- PHE16) – both of which formed part of the international photography festival PHotoEspaña, and Artifactual Realities (2016) at the Station Museum (Houston). Continue reading...
![El artificio natural de las plantas [Javier Arnaldo. El Cultural. El Mundo. 24 de Enero del 2020]](https://static.wixstatic.com/media/580c44_f9e5a6ebea6040fdbda58338e2f9a2ff~mv2.jpg/v1/fill/w_1000,h_1000,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/580c44_f9e5a6ebea6040fdbda58338e2f9a2ff~mv2.jpg)
![El artificio natural de las plantas [Javier Arnaldo. El Cultural. El Mundo. 24 de Enero del 2020]](https://static.wixstatic.com/media/580c44_f9e5a6ebea6040fdbda58338e2f9a2ff~mv2.jpg/v1/fill/w_1168,h_1168,fp_0.50_0.50,q_90,enc_avif,quality_auto/580c44_f9e5a6ebea6040fdbda58338e2f9a2ff~mv2.jpg)
![Botánica aplicada [Bea Espejo. Babelia. El Pais, Sábado 20 de Enero del 2020]](https://static.wixstatic.com/media/580c44_c483bd832b574c46ab303b935cc18d7f~mv2.gif)
![Linarejos Moreno, por partida doble [Miguel Cereceda, ABC Cultural. 23 de Octubre del 2019]](https://static.wixstatic.com/media/580c44_a6c29330cb124676abca63e1f5c70d32~mv2.jpg/v1/fill/w_1000,h_1000,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/580c44_a6c29330cb124676abca63e1f5c70d32~mv2.jpg)
![Linarejos Moreno, por partida doble [Miguel Cereceda, ABC Cultural. 23 de Octubre del 2019]](https://static.wixstatic.com/media/580c44_a6c29330cb124676abca63e1f5c70d32~mv2.jpg/v1/fill/w_1168,h_1168,fp_0.50_0.50,q_90,enc_avif,quality_auto/580c44_a6c29330cb124676abca63e1f5c70d32~mv2.jpg)
![Linarejos Moreno. Telegrama Pictórico [Ramos-Yzquierdo,El Cultural, El Mundo, 4 de Octubre del 2019]](https://static.wixstatic.com/media/580c44_ba3a87a1d02a442180d7723925b2c0b7~mv2.jpg/v1/fill/w_1000,h_1000,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/580c44_ba3a87a1d02a442180d7723925b2c0b7~mv2.jpg)
![Linarejos Moreno. Telegrama Pictórico [Ramos-Yzquierdo,El Cultural, El Mundo, 4 de Octubre del 2019]](https://static.wixstatic.com/media/580c44_ba3a87a1d02a442180d7723925b2c0b7~mv2.jpg/v1/fill/w_1168,h_1168,fp_0.50_0.50,q_90,enc_avif,quality_auto/580c44_ba3a87a1d02a442180d7723925b2c0b7~mv2.jpg)
![Linarejos Moreno, electricidad astral [E.Voz Mediano. El Cultural. El Mundo. 26 de Enero del 2018]](https://static.wixstatic.com/media/580c44_7daed4d1d4474af3b20085edd2cee3f6~mv2.jpg/v1/fill/w_1000,h_1000,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/580c44_7daed4d1d4474af3b20085edd2cee3f6~mv2.jpg)
![Linarejos Moreno, electricidad astral [E.Voz Mediano. El Cultural. El Mundo. 26 de Enero del 2018]](https://static.wixstatic.com/media/580c44_7daed4d1d4474af3b20085edd2cee3f6~mv2.jpg/v1/fill/w_1168,h_1168,fp_0.50_0.50,q_90,enc_avif,quality_auto/580c44_7daed4d1d4474af3b20085edd2cee3f6~mv2.jpg)